Приказ основних података о документу

dc.contributor.authorLukić, Mina R.
dc.date.accessioned2022-07-12T08:30:05Z
dc.date.available2022-07-12T08:30:05Z
dc.date.issued2020
dc.identifier.urihttps://platon.pr.ac.rs/handle/123456789/116
dc.description.abstractThis paper examines film locations as places of memory (les lieux de mémoire) and their role in individual imagination. Filminduced tourism creates specific sites of memory typical of global popular culture; the places of confrontation, negotiation, and interplay between fiction and reality which affect our mental as well as the real topographies. The aim is to analyse how memorised film images determine visitors’ experience of real places and their imagining of J.R.R. Tolkien’s fictional world, and vice versa. The film adaptations of Tolkien’s “The Lord of the Rings” and “The Hobbit”, directed by Peter Jackson, were shot in New Zealand, causing it to become touristically promoted and visited as “the home of Middle-earth” and “Middleearth on Earth”. This case is analysed as an illustrative example of the aforementioned processes.en_US
dc.language.isoen_USen_US
dc.publisherЗавод за проучавање културног развиткаen_US
dc.rightsАуторство-Некомерцијално-Без прерада 3.0 САД*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.titleFilm Locations as Perilous Realms of Memory: Tourists Negotiating Mental, Virtual and Real Topographies of Tolkien’s Middle-earth.en_US
dc.title.alternativeКултура: Часопис за теорију и социологију културе и културну политикуen_US
dc.typeclanak-u-casopisuen_US
dc.description.versionpublishedVersionen_US
dc.identifier.doi10.5937/kultura2068028L
dc.citation.volume168
dc.citation.spage28
dc.citation.epage50
dc.subject.keywordsles lieux de mémoire, film-induced tourism, The Lord of the Rings, Middle-earth, New Zealand, imagination, memoryen_US
dc.type.mCategoryM51en_US
dc.type.mCategoryopenAccessen_US
dc.type.mCategoryM51en_US
dc.type.mCategoryopenAccessen_US


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Приказ основних података о документу

Ауторство-Некомерцијално-Без прерада 3.0 САД
Осим где је другачије наведено, лиценца овог рада је описана саАуторство-Некомерцијално-Без прерада 3.0 САД