Приказ основних података о документу

dc.contributor.authorJakovljević, Mladen M.
dc.date.accessioned2022-09-07T06:15:35Z
dc.date.available2022-09-07T06:15:35Z
dc.date.issued2020
dc.identifier.citation178019en_US
dc.identifier.urihttps://platon.pr.ac.rs/handle/123456789/261
dc.description.abstractThe protagonist’s passage from the world of Gormenghast in Mervyn Peake’s Titus Groan and Gormenghast, the first two volumes of the story, to the futuristic world of the City in the third volume, Titus Alone, is often seen as a break between the two worlds. This unexpected passage from one world to another also brings an unexpected switch to science fiction. Both these changes, the passage to another, radically different world and a shift to science fiction, are not so abrupt or radical as they may seem on the surface. Placing the Gothic and science fiction features into the spotlight, while not denying the existence and importance of others, can show how the reality in the trilogy is shaped, how its two worlds are connected into a whole, and how they give one another shape in the overall picture of Gormenghast. Together, they can add to the illumination of the anomaly of Mervyn Peake’s story of Gormenghast.en_US
dc.language.isoen_USen_US
dc.publisherФилозофски факултет Косовска Митровицаen_US
dc.rightsАуторство-Некомерцијално-Без прерада 3.0 САД*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.titleTitus Groan's journey: From Gormenghast to the Cityen_US
dc.title.alternativeЗборник радова Филозофског факултета у Приштиниen_US
dc.typeclanak-u-casopisuen_US
dc.description.versionpublishedVersionen_US
dc.identifier.doi10.5937/ZRFFP50-28327
dc.citation.volume50
dc.citation.issue3
dc.citation.spage175
dc.citation.epage192
dc.subject.keywordsMervyn Peake; Gormenghast; science fiction; Gothic fiction; fantasyen_US
dc.type.mCategoryM51en_US
dc.type.mCategoryopenAccessen_US
dc.type.mCategoryM51en_US
dc.type.mCategoryopenAccessen_US


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Приказ основних података о документу

Ауторство-Некомерцијално-Без прерада 3.0 САД
Осим где је другачије наведено, лиценца овог рада је описана саАуторство-Некомерцијално-Без прерада 3.0 САД